Wednesday, 26 October 2016

Happy Diwali to all!




തുലാമാസത്തിലെ കൃഷ്ണപക്ഷ ചതുര്‍ദശി തിഥിയാണ് ദീപാവലിയായി കൊണ്ടാടുന്നത്.ദീപം (വിളക്ക്), ആവലി(നിര) എന്നീ പദ ങ്ങള്‍ ചേര്‍ന്നാണ്‌ ദീപാവലി എന്ന പദം ഉണ്ടായത്.അന്ധകാരത്തില്‍ നിന്നും പ്രകാശത്തിലേക്ക് മനുഷ്യനെ അജ്ഞാനമാകുന്ന അന്ധാകാരത്തില്‍ നിന്ന് അറിവിന്റെ വെളിച്ചത്തിലേയ്ക്ക് നയിക്കുകയാണ് ദീപാവലിയുടെ മഹത്തായ സങ്കല്പം.

ഭൂമിയില്‍ ആധിപത്യം സ്ഥാപിച്ചിരിക്കുന്ന ആസുരശക്തികളെ ഉത്മൂലനം ചെയ്ത് ജനങ്ങള്‍ക്ക് ക്ഷേമവും ഐശ്വര്യവും പ്രദാനം ചെയ്യുകയാണ് ആഘോഷത്തിന്റെ അടിസ്ഥാനം.14 വര്‍ഷത്തെ വനവാസത്തിനും രാവണവധത്തിനും ശേഷം അയോധ്യയില്‍ തിരിച്ചെത്തിയ ശ്രീരാമനേയും പരിവാരങ്ങളെയും ജനങ്ങള്‍ നിറദീപങ്ങളോടെ വരവേറ്റു എന്നാണ് സങ്കല്പം. അതിനെ അനുസ്മരപ്പിക്കുന്നതിനാണ് നാം ദീപാവലിദിവസം വീടിനകത്തും പുറത്തും ദീപങ്ങള്‍ തെളിയിച്ചും പടക്കങ്ങള്‍ പൊട്ടിച്ചും ആഘോഷിക്കുന്നത്.മറ്റൊരു വിശ്വാസപ്രകാരം തിന്‍മയുടെ പ്രതീകമായ നരകാസുരനെ വധിച്ച്‌ ശ്രീകൃഷ്‌ണന്‍ ലോകത്തിന്‌ നന്മയുടെ വെളിച്ചം പകരുന്നതിനെ അനുസ്‌മരിച്ചാണ്‌ ദീപാവലി ആഘോഷിക്കുന്നത്‌ എന്നാണ്.


ദീപാവലി നാളില്‍ ദീപക്കാഴ്ച ഒരുക്കുന്നതുപോലെതന്നെ ഏതാണ്ട് സാര്‍വത്രികമായ ഒരു ചടങ്ങാണ് എണ്ണതേച്ചുകുളി. സാധാരണ വ്രതാനുഷ്ഠാനങ്ങളില്‍ എണ്ണ തേച്ചുകുളിക്കാന്‍ പാടില്ല. അതിനനുവാദമുള്ള വ്രതാനുഷ്ഠാനമാണ് ദീപാവലി.കേരളത്തില്‍ ദീപാവലി ദിവസം ക്ഷേത്രങ്ങളില്‍ പ്രത്യേക പൂജകള്‍ ഉണ്ടായിരിക്കും. എല്ലാവരും ദീപം തെളിച്ചും പുതു വസ്ത്രങ്ങളണിഞ്ഞും പടക്കങ്ങള്‍ പൊട്ടിച്ചും ദീപാവലി കൊണ്ടാടുന്നു. ഐശ്വര്യത്തിന്‍റെയും സമൃദ്ധിയുടെയും ആഘോഷം കൂടിയാണിത്.ധനത്തിന്‍റെ ഉത്സവമായും ദീപാവലി കൊണ്ടാടുന്നു.



About Deepavali:

Known as the “festival of lights,” Deepavali" or "Diwali" is celebrated with great exuberance across India and takes its name from the tradition of lamp lighting in the evening, a symbol of inner awakening. Deepavali is certainly the biggest and the brightest of all Hindu festivals,that's marked by four days of celebration, which literally illumines the country with its brilliance, and dazzles all with its joy. This year Diwali falls on Saturday, October 29th, 2016. Each of the four days in the festival of Diwali is separated by a different tradition, but what remains true and constant is the celebration of life, its enjoyment and goodness.


Deepavali is the day when the dark forces were put to death and light happened. This is also the predicament of human life. Like the dark clouds which brood in the gloomy atmosphere, not realizing that they are blocking the sun, a human being does not have to bring any light from anywhere. If he just dispels the dark clouds that he has allowed to gather within himself, light will happen. The Festival of Lights is just a reminder of that.

Why do we celebrate Deepavali?

It’'s not just the festive mood in the air that makes you happy, or just that it's a good time to enjoy before the advent of winter. There are many mythical and historical reasons why Deepavali is a great time to celebrate. And there are good reasons not just for Hindus but also for all others to celebrate this great Festival of Lights.

1.Goddess Lakshmi’s Birthday: 

The Goddess of wealth, Lakshmi incarnated on the new moon day (amaavasyaa) of the Kartik month during the churning of the ocean (samudra-mathan), hence the association of Diwali with Lakshmi.On this very day (Diwali day), Lord Vishnu in his fifth incarnation as Vaman-avtaara rescued Lakshmi from the prison of King Bali and this is another reason of worshipping Ma Larkshmi on Diwali.

2. Krishna Killed Narakaasur:

On the day preceding Deepavali, Lord Krishna killed the demon king Narakaasur and rescued 16,000 women from his captivity.it is also called Naraka Chaturdashi because of the victory of Krishna over Narakaasura.

3. The Return of the Pandavas: 

According to the great epic ‘Mahabharata’, it was on  ‘Kartik Amavashya’ when the Pandavas appeared from their 12 years of banishment as a result of their defeat in the hands of the Kauravas at the game of dice (gambling). The subjects who loved the Pandavas celebrated the day by lighting the earthen lamps.


4. The Victory of Rama:

According to the epic ‘Ramayana’, it was the new moon day of Kartik when Lord Ram, Ma Sita and Lakshman returned to Ayodhya after vanquishing Ravana and conquering Lanka. The citizens of Ayodhya decorated the entire city with the earthen lamps and illuminated it like never before to welcome the victorious sri Rama.

5. Coronation of Vikramaditya: 

One of the greatest Hindu King Vikramaditya was coronated on the Diwali day, hence Diwali became a historical event as well.

6. Special Day for the Arya Samaj: 

It was the new moon day of Kartik (Diwali day) when Maharshi Dayananda, one of the greatest reformers of Hinduism and the founder of Arya Samaj attained his nirvana.

7. Special Day for the Jains: 

Mahavir Tirthankar, considered to be the founder of modern Jainism also attained his nirvana on Diwali day.

8. Special Day for the Sikhs: 

The third Sikh Guru Amar Das institutionalized Diwali as a Red-Letter Day when all Sikhs would gather to receive the Gurus blessings. In 1577, the foundation stone of the Golden Temple at Amritsar was laid on Diwali. In 1619, the sixth Sikh Guru Hargobind, who was held by the Mughal Emperor Jahengir, was released from the Gwalior fort along with 52 kings.

In each legend, myth and story of Deepavali lies the significance of the victory of good over evil; and it is with each Deepavali and the lights that illuminate our homes and hearts, that this simple truth finds new reason and hope. From darkness unto light — the light that empowers us to commit ourselves to good deeds, that which brings us closer to divinity. During Diwali, lights illuminate every corner of India and the scent of sweets and delicacies hangs in the air, mingled with the sounds of fire-crackers, joy, togetherness and hope. Diwali is celebrated around the globe. Outside India, it is more than a Hindu festival, it's a celebration of South-Asian identities. If you are away from the sights and sounds of Diwali, light a lamp, sit quietly, shut your eyes, withdraw the senses, meditate on this supreme light and illuminate the soul.

Wishing all our readers a sparkling Deepavali!

Wednesday, 19 October 2016

Thirumanikkara Sree Guruvayoorappan Temple, Manjeri

  Please visit http://thirumanikkaratemple.in/ for more info.

Thirumanikkara Temple Front view

Thirumanikkara Sree Guruvayoorappan Temple, Thrikkalangode Devaswom is an ancient and famous Vishnu Temple in Malappuram district. In its fame, this temple was at par with the erstwhile Sree Guruvayoor Temple. The presiding deity here is Sree Guruvayoorappan and the offerings and poojas are similar to the Guruvayoor Temple.It is said, devotees who could not make it to the Guruvayoor Temple for their pending offerings or vazhipadu, can fulfill the same by offering it at the Thirumanikkara temple, and Guruvayoorappan will accept it happily.This temple is presently under the trusteeship of the Samoothiri Raja of  Kozhikkode. This temple is situated at  the scenic Thirumanikkara  village in Manjeri – Nilambur Route, near to Marathani.




The temple has a beautiful pond nearby among lush greenery, which is a treat to the eyes.

Legend:




As per legend, there was an old Brahmin,called Moossathu Namboodiri at Idinjimmal Illam near to Thirumanikkara, who was an ardent devotee of Sree Guruvayoorappan. He used to walk to the Guruvayoor Temple situated far away, for every Guruvayoor Ekadashi to seek the Lord's blessings. As he got old, he found it very difficult to travel to Guruvayoor all alone. On that day of Guruvayoor Ekadasi,after coming back from Guruvayoor, he sat tired and famished under an old banyan tree (Arayal tree), and started venting out his woes to his dear Lord that he won't be able to do any more Ekadasi darshans at Guruvayoor due to his ailing health. Then there was a divine ringing sound of bells ( mani kilukkam) from above the banyan tree and a voice from above told the pious Brahmin, that Guruvayoorappan had come to where he was at present and he doesn't have to go to Guruvayoor to see the Lord. The happy Brahmin informed all about his divine experience, and the Thirumanikkara temple was built to house Lord Guruvayoorappan. Sine the bell or "mani" sound informed the lord guruvayoorappan's presence, the place came to be called Thiru "mani" kara.

Festivals:

Guruvayoor Ekadasi:

Of the 24 Ekadasis in a year, the Vrishchika Ekadasi also called "Guruvayur Ekadashi" has got special significance in Guruvayur and Thirumanikkara temples. It falls in the Mandala season. Thousands of devotees throng the thirumanikkara temple on this auspicious day seeking the blessings of Lord Guruvayoorappan.All the ekadasi rituals are similar to Guruvayoor temple.  Special chuttu vilakku on the previous day, dasami vilaku is done as the Desa Vilakku.On Ekadasi after night pooja the famous Ekadasi Vilakku with elephant procession takes place and provides a fitting finale to the festival.

Sree Krishna Jayanthi/ Ashtami Rohini:

Ashtami Rohini in Chingam (August-September) is the birthday of Lord Krishna. Appam and Palpayasam are considered to be important offerings on this day. It is celebrated with great rejoicing with various cultural programmes to commemorate the incarnation of Lord Krishna at Ashtamirohini . Thousands of devotees attend the celebration every year.

Route:

This temple is situated on  Manjeri – Nilambur Route, 7 kms  from Manjri town . At Marathani junction, turn left to Thirumanikkara.

Saturday, 15 October 2016

Vadakkanthara Sree Thirupuraikal Bhagavathy Temple , Palakkad

http://vadakkantharatemple.in/

Vadakkanthara Sree Thirupuraikal Bhagavathy Temple is a prominent  bhagavathy temple in Palakkad and it attracts many devotees from even the neighbouring states. Devotees believe that the presiding deity here is is Kannaki (Karnagi) who came to Palakkad after burning Madurai, as told in the epic Silappadikaaram. The temple festival celebrated once in every three years, called  Vadakkanthara Valiya vilakku Vela is very popular for its unique rituals and grandeur.


Legend:

There are many stories passed down the generations as how Bhagavathy came to be at Vadakkanthara.
Kannagi is the heroine of the famous Tamil epic –Silappadikaram. Her husband Kovilan is wrongly sentenced by the king of Madurai to death. When Kannagi came to know of this she asked for justice .The king realizing his mistake died instantly. In her fury Kannagi burnt the city of Madurai and then came and settled down as a Goddess in Kodungallore. But on her way to Kodungallore , she took rest under a fig tree at Vadakkanthara, Palakkad. In the place where she took rest an idol was formed. Since no roof was built over the goddess, she was called Thiru purakkal Bhagawathy, and the Goddess still rests under the same fig (athi) tree showering her blessings. Even in rainy seasons during heavy downpour along with wind none of the oil lamps burning in front of the Goddess are disturbed or put out.

There is another story that Lord Shiva created Kannagi along with Kannu kottu Bhagawathy and Kannadathu Bhagawathy to kill Dharuka, a demon. Kannagi after killing of Dharuka, was born as a human being Called Kannagi, who burnt the city of Madurai as told above. She came to Kerala along with her two sisters . The then ruler of Palakkad,  Sri Sekhari Varma built a temple for all the three Goddesses. Later it seems the Kannadathu and Kannu Kottu Bhagawathy went and settled in a place called Pirayari, where the temple for Kannu kottu Bhagawathi is still there. A temple was later built near Thirunallai village of Palakkad for Kannadathu Bhagawathy. Only Kannagi temple remained in a place called “Nadu pathi mandil at the heart of town. The history behind this temple is that the moolasthanam (the root place) where Goddess Karnaki is worshipped, is at nadu–pathi at Moothanthara (Melamuri).  Once this temple was very well maintained and people from other neighboring deshams (places) also came to worship Karnaki (being the only one around at that time).  It is observed from history that the Muslim ruler Tippu Sultan, son of Hyder Ali searched and destroyed this temple during his reign at Palakkad. Devotees gathered to save the possessions of the temple and to prevent destruction of the idol.  Her full idol form was taken by her own sect of Moothan’s and is worshipped at Karnaki Amman temple, Moothanthara. Her other divine possessions like peetam (sitting chair) is worshipped at Vadakkanthara Bhagwathy temple, her umbrella is worshipped at another Karnaki temple in the town circle and the “Kindi” is worshipped at Pirayiri Kannukottu Bhagawathy temple.

Festivals:

The main festival,Valiyavilakku Vela is usually conducted on  the last Friday of Kumbha month ( first half of March ). Duration of this festival is 28 hours starting from 4.00 a.m to the next day 8.00 am . If the last Friday of Kumbha month happens to fall on the last day of the month, then festival will be conducted on previous Friday. It is known as ‘Vadakkanthara Vela’ also. It is the prime festival of this region. All Hindus regardless of their status partake from beginning to end.




Valiya vilakku Vela Rituals:

Kathir Vilichu Parayal:

 It is conducted during second Friday of ‘Makara’ month. The celebration is conducted eastern side of Deity (Deity is facing to West). Place all the offerings on a new bamboo mat and announce the function with temple symphonies and conclude with three Kathina vedi ( type of traditional fireworks).

Kathir Vela (festival of paddy cluster):

It is the first festival of Valiyavilakku Vela. The farm labourers of Tharavath, Variyath and Tharavanatu families bring the paddy clusters from Nellissery Vinayaka Kshethra with festival umbrellas and temple symphony. Along with Komaram (Velichappadu), they proceed straightly to Ayyappa temple and place the paddy clusters in front of Lord Ayappa. The main temple poojari offering poojas to Lord Ayyappa and distribute the paddy clusters among devotees and they normally keep it for three years. Before and after this function, offers three Kathina vedi.

Variyezhuthal ( starting of monetary offerings):

The next Sunday after Kathirvela, all masters from every family assemble before the Deity and transfer old accounts to new books and start collecting money for the expenses of Vela. Before and after function, offer three Kathina vedi.

Preparation of Fireworks:

Next Friday after monetary offering function, devotees assemble before the Deity and handover the materials for fireworks in the presence of Komaram (Velichappadu). This function is conducted by particular family as ‘Mozhipulum Panangad’ family. This function is celebrated to avoid any disasters from fireworks. This particular function is conducted after ‘Pantheerady Pooja’. Offer three Kathina vedi before and after this function.

Cutting Paala Tree:

It is conducted next Friday after the preparation of fireworks. The carpenter along with ‘Velichappadu’ reaches the paala tree and offer poojas to get permissions from the tree and cut the same. Using this wood, normally construct shed for the ‘Thulapandal’. Offers three temple Kathina vedi before and after this function.

Kummatty:

It is celebrated on the second Friday after cutting the ‘paala tree’ . The Goddess Bhagavathy with her bhoodhagana companionship come to perform blissful dance. Many members from local families assemble there after morning pooja and applying ancient cultural dressings and singing folk songs praising Lord Bhagavathy dancing with neem branches in hands , visit every houses and collect sweets, coconuts, money etc. Using these offerings, prepare sweet poridge (idichu pizhinja payasam) and offer to Lord Bhagavathy during evening pooja. The same procession is repeated again during evening hours starting from Nellissery Ganapathy Temple accompanied by elephants and panchavdyam. This function is followed with fireworks and finished by 8.00 pm. Offers three Kathina vedi before and after the function.
Kanniyar (Flag Hosting):

It is performed next Friday after Kummatty. After evening deeparadhana, devotees assemble there, offering poojas to a bell, throws away thrice. Looking into the direction of the tongue of the bell, predicts the immediate future of the surrounding areas. If it directs to east west or north, it is auspicious and favourable. If it directs south, it is inauspicious and unfavourable. In such occasions, every devotee pray Lord Bhagavathy to protect them from the ensuing danger. At last, Goddess Bhagavathy protect them. Next one week till the Valiyavilakku Vela starts, all residents from the nearby surroundings should not leave and reside outside the ‘desham’. Then the flag hosting ceremony occurs.

Testing Sample Fireworks:

Next Tuesday morning residents of Pirayiri Village come to Tharavath family and take sword , Peetam etc along with procession. During evening, testing of sample fire work is done.

Shudhikalasham:

The temple Thanthri purifies the Deity, Sanctum Sanctorum and the premises day before the Vela.

ValiyaVilakku Vela:

It commences from 4.00 am and finishes next day 08.00 am. Main attraction is 9 Kambams (Lighting colourful illumination with chemical mixtures on a mast). Valiyavilakku Vela is divided in to 2 parts:

a)   Day Time Vela

Along with Komaram, temple symphony like Panchavadhyam starts by 3.00 pm proceeding to Melamury as huge procession. At Melamury, devotees receive the Goddess Bhagavathy to a well decorated pandal. As per the order of Komaram, procession again starts there around 4.00 pm proceeding back to temple along with ancient cultural dresses and folk songs praising Goddess.
‘Kinna Pandal’
Devotees carry 36 pandi plates along with elephants accompanied by panchavadhyam and enter to a temporarily constructed pandal illuminated and decorated with ‘Paala Tree’ and offer the plates by Priests with poojas and rituals. There ends day time festival and starts temple symphony.

b) Night Vela


Night time festival starts at 3.00 am from the western nada along with elephants , temple symphony, Garudappathu, Kaalavilakku and numerous devotees chanting mantras loudly. Afterwards, komaram announces start lighting kambas and fireworks. By 8.00 am. Komaram proclaims the closing ceremony of the festival in the presence of thousands of devotees followed by numerous Kathina vedis.


Navarathri festival is very important at this temple. Many famous carnatik singers come to this temple during Navarathri and sing in front of Bhagavathi. Sri Chembai Vaidyanatha Bhagavathar used to find time in his busy schedule and come to this temple every year without fail and render his kacheri in front of Devi. On all days of Navarathri  enigmatic artists from various walks of art and culture perform at the Navarathri mandapam here.



Thursday, 6 October 2016

Temples - an Invitation to the Divine







"Kshathathu thrayethe ithi kshethra:” these significant words mean that “what saves a man from a ruined state is the holy temple, which contains the presence of God.


The ancient Temples in India, were built as a very deep science. They were not created for worship.If the basic aspects of the temple like, the size and shape of the idol, the mudra that the idol holds, the parikrama, the garbha griha, and the mantras used to consecrate the idol are properly matched, a powerful energy system is created at that place.

In Indian tradition, there had never been a system like, if you go to a temple, you must worship and give money and ask for blessing. Traditionally, the custom was that,if you go to the temple, you must sit for a while and come. You are required to sit there because there is a field of energy that has been created. Spending some time at a consecrated place was a way of recharging yourself with very positive vibrations of life so that you go into the world with a different perspective. The temple was not created as a place of God or a place of prayer. No one was ever allowed to lead a prayer. It was created as a place of energy where everyone could go and make use of it or more like, a tool to experience the divine,which is the source of creation.

Hindu way of life is, with the Hindu, there is no “ism” because it is a geographical and cultural identity. Anyone born in the land of Indus is a Hindu. There is no particular belief system, god or ideology which you can call as the Hindu way of life. Whatever you do in this culture is Hindu.In the Hindu way of life, the only important thing in human life is his liberation or Moksha. Hence, the temples with consecrated idols in ancient India were built adhering to this philosophy.There is a whole science of idol-making where a certain form is created with a particular material and energized in a certain way. Different idols are made in different ways where they relocate or rearrange the chakras or energy-centers in certain places to make them into completely different possibilities. Idol-making is that science through which you manifest the energy in a particular way so that your quality of life can be enhanced.

In this culture since Moksha was held as the most important thing, it does not matter what you are eating, how you are or how long you live, at some point, a need will come that you want to get in touch with the source of Creation. If that possibility is not created across the planet and is not available to every human being who seeks, then society has failed to provide true well being for a human being. It is with this awareness that in Indian culture, every street had at least one temple; because even a few meters should not pass without there being a consecrated space. The idea was not to create one temple versus the other, the idea was that nobody should walk in a space which is not consecrated; nobody should live in a space which is not consecrated. The temple was always built first, and then houses were built.

Concept of Temple design:

The great concepts behind a temple design is awe-inspiring . The interior or the `Garbha Griha’ (inner chamber of sanctum sanctorum) symbolizes the mystery of the universe and the dim burning light there represents the spirit behind the veil of mystery.

The two concepts associated with the temple are the Sthoola Sarira (gross body) and Sookshma Sharira (subtle body), according to Viswakarmaneeyam, a famous treatise on architecture.




The sacred space within the outer wall of the temple,also called Pancha Prakaras represents the body part or the "Sthoola Sarira" of the principal Deity. Garbha Griha or inner sanctum corresponds to the head of the deity, the Arthamandala (the space where Bali Peetas of deities are located) His face, the Namaskara Mandapa (where Vedic chanting is done), His throat or neck, the inner Pradakshina Vazhi ,Nalambalam ,Thidappalli (Temple kitchen) etc otherwise known as Anthahara or His hands, the Vilakkumadam and the area within the outer Balikkallu (Madhyahara or third enclosure with a galaxy of lamps) His belly, the Maryaada or the outer wall as knees and ankles and the Gopura (tower at the entrance of a temple) His feet. 


The "Sookshma Sarira" concept related to the idol is based on Aadhara Chakras mentioned in yogic literature. They are Mooladhara Chakra, Swadhishtana Chakra, Manipooraka Chakra, Anachatha Chakra, Aajna Chakra and Sahasrara Chakra. These Chakras are centers of vital force. The various units of the Prathista (idol) symbolize these Chakras. For eg. Aadharasila symbolises the Mooladhara and Swadhishtana Chakra, Nidhi Kumba symbolises Manipooraka Chakra, Padma represents Anaatha Chakra, Koorma represents Prana Sakthi, Yoga Nala symbolizes Visudhi Chakra and Napumsaka Sila symbolises the Aajana Chakra.

So the ancient temples in India can be seen as carefully calibrated energy spaces to enhance human life in a phenomenal way. 

Do visit http://devaayanam.in/ to find out more about the great temples around you.

Tuesday, 4 October 2016

The Saraswathi temples in Kerala for Vidyarambham

Yaa Kundendu tushaara haara dhavalaa, Yaa shubhravastraavritha|
Yaa veena vara dandamanditakara, Yaa shwetha padmaasana||
Yaa brahmaachyutha shankara prabhritibhir Devaisadaa Vanditha|
Saa Maam Paatu Saraswatee Bhagavatee Nihshesha jaadyaapahaa||


Saraswati is the Hindu goddess of knowledge, music, arts, wisdom and learning. She is a part of the trinity (Tridevi) of Saraswati, Lakshmi and Parvati. The goddess Saraswati is often depicted as a beautiful woman dressed in pure white, often seated on a white lotus, which symbolizes light, knowledge and truth. She not only embodies knowledge but also the experience of the highest reality. Her iconography is typically in white themes from dress to flowers to swan – the colour symbolizing Sattwa Guna or purity, discrimination for true knowledge, insight and wisdom.

She is generally shown to have four arms, but sometimes just two. When shown with four hands, those hands symbolically mirror her husband Brahma's four heads, representing manas (mind, sense), buddhi (intellect, reasoning), chitta (imagination, creativity) and ahamkāra (self consciousness, ego).Brahma represents the abstract, she, action and reality.
The four hands hold items with symbolic meaning — a pustaka (book or script), a japa mala (rosary, garland), a water pot and a musical instrument,Veena.  The book she holds symbolizes the Vedas representing the universal, divine, eternal, and true knowledge as well as all forms of learning. A mālā of crystals, representing the power of meditation, inner reflection and spirituality. A pot of water represents the purifying power to separate right from wrong, the clean from the unclean, and essence from the inessential. In some texts, the pot of water is symbolism for soma - the drink that liberates and leads to knowledge. The most famous feature on Saraswati is a musical instrument called a veena, represents all creative arts and sciences,and her holding it symbolizes expressing knowledge that creates harmony. A hamsa or swan is often located next to her feet. In Hindu mythology, the hamsa is a sacred bird, which if offered a mixture of milk and water, is said to be able to drink the milk alone. It thus symbolizes the ability to discriminate between good and evil, essence from outward show and the eternal from the evanescent. Due to her association with the swan, Saraswati is also referred to as Hamsavāhini, which means "she who has a hamsa as her vehicle". The swan is also a symbolism for spiritual perfection, transcendence and moksha.Sometimes a citramekhala (also called mayura, peacock) is shown beside the goddess. The peacock symbolizes colorful splendor, celebration of dance, and - as the devourer of snakes - the alchemical ability to transmute the serpent poison of self into the radiant plumage of enlightenment. She is usually depicted near a flowing river or other body of water, which depiction may constitute a reference to her early history as a river goddess.


As we are approaching the Saraswathi pooja festival this year, let's have a look at the major Saraswathi temples in Kerala. The list is incomplete, hence the readers are requested to contribute any valuable information.

Here is a district-wise listing of Saraswathi temples in Kerala:


Thiruvananthapuram


1. Varkkala Shivagiri Sarada Temple:
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Address: Sivagiri Rd, Varkala, Kerala 695145
Phone: 0470 260 2807

Shivagiri is a pilgrimage centre in Varkala, Thiruvananthapuram where Sree Narayana Guru's tomb is located and place where guru was enlightend and got the salvation. After travelling many places in South India and Sri Lanka and establishing temples, he did the prathishta of the goddess Sree Sarada at Sivagiri on April 1912. It ranks as the most remarkable among his consecration of temple deities, and occupies a distinguished place in history. Foundation for it had been laid in 1909. The same year he composed the poem "jananee navarathna manjari".

Sivagiri Sarada Mutt was planned and designed by Gurudevan who took a particular interest in it. Ordinary temples do not have windows. Gurudevan called this temple, which is octagonal in shape, 'Sarada Mutt. Here unlike in other temples, there is no nivedyam (offering of food to the deity) or abhishekam (pouring oil, ghee and such on the idol). Devotees can worship the goddess by reciting hymns. The idol of Saraswathy seated on white lotus is the symbol of knowledge blossoming on whiteness or purity.The Sarada Consecration Committee had Dr.P.Palpu as its president and Kumaran Asan was secretary.


2.Venkulam Saraswathi Temple Edava Varkkala

3.Vattiyoorkkavu Arappura Eswari Amman Saraswathi Temple

Address: Vattiyoorkkav-Arappura Rd, Vattiyoorkavu, Thiruvananthapuram, Kerala 695013
Phone: 094477 47273



Kollam:


1.Changankulangara Sarada Temple, Ochira

2.Ezhukon Mookambika Temple


Alappuzha:

1.Thattarambalam Saraswathi Temple


Thattarambalam Saraswathi Temple is situated at Thattarambalam junction near Mavelikkara (2 Km west of Mavelikkara) in Alappuzha district. This temple is managed by 
Travancore Devaswom Board. Thattarambalam temple is more than 1000 years old and the Unnuneeli Sandesam of 14th century mentions about this temple. History says that the King of “Odandu” built this temple in his capitol place and is made especially for the Goldsmiths he brought from Tamil Nadu. Later on, administration of this temple is handed over to Travancore Dewaswam Department as the kingdom Odanadu is merged to Travencore.

The main festival of the temple is “Navarathry”. Thiruvonam of Chingam, Vishu, Makarasamkramam, Vinayaka Chathurthy, Sivarathri and Mandalakalam are the other important festivals of the temple. This is the only Saraswathi Temple in Kerala having Navagraha Prathishta. Shiva, Ganapathy and Sastha are the upadevathas. The famous Kandiyoor Mahadeva Temple and Chettikulangara Devi Temple are near to this temple.

To reach Thattarambalam

Thiruvalla/Chengannur-Mavelikkara-Kandiyoor-Thattarambalam-Chettikulangara-Kayamkulam

or

Ambalappuzha/Harippad-Nangyarkulangara- Thattarambalam- Mavelikkara
For more details visit http://thattarambalamtemple.com/

2.Eramalloor Saraswathi temple

Address: Eramalloor, Ezhupunna, Kerala 688537
Phone: 096560 38181



Kottayam:


1. Panachikkad Dakshina Mookambika Saraswathi Temple Kottayam
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Eravinalloor Panachikkad Temple Rd, Panachikkad, Kerala 686533
Phone: 0481 233 0670

The Saraswathi temple in the Panachikadu village of Kottayam district, Kerala is known as Dakshina (Southern) Mookambi. Eventhough many Saraswathi temples perform pooja only during the ' Navarathri period', this temple offers pooja throughout giving ' darshan' to the devotees.

This temple is situated in the panachikadu village 11 kilometers away from the well known Kottayam District Head Quarters of South Kerala. This village resembles the famous Kodajadri,. In the Main Central Road( MC Road), between Kottayam and Changanassery, there is a small village called Chingavanam. Travelling 4 kilometers east fromChangavanam one can reach the temple situated in an idyllic and beautiful place.When we reach the precincts of the temple we see first a “Vishnu temple “.just a few metres south of the Vishnu shrine we can see the ‘saraswathy temple’ in a natural valley with the water dripping and flowing around the idol. The temple does not have the traditional sanctum sanctorum and other pompous structures of the temples elsewhere. There is a rectangular pond like structure as though it has been caved out of a granite hillock. In this pond there grows lush green creeper plants of exquisite beauty. Covered by the creeper the original ‘idol’ of saraswathy remains. Near the original idol of “devi saraswathy”there is another alternate idol on which all the poojas are performed.

Two things specially to be noticed here are the creepers and the immaculate spring. The leaves of the creepers which cover the idol are considered saraswathy leaves. The water comes from the spring here flows touching the feet of the “Devi” never dries even in the peak time of summer. Since the devi remains on such a “Saras” (small rivulet) the name saraswathy becomes meaningful. The water required for poojas and other needs are taken from the spring. No well or other water sources are available here.

Above the saraswathy temple on the western side there is a natural habitat made of exotic plants and their fragrant flowers. Here lives the ‘yakshi’ who is at once fastidious and easily made happy. The idol of ‘brahmarakshasu’ is also installed here. Eventhough there are yakshi shrines in other temples, as well, the power of the yakshi at panachikadu seem to be super. In addition there are idol of Siva, Sastha, Ganapathi, Nagayakshi, Nagaraja and the like sub deities too here.

In the ‘lthihyamala’of kottarathil sankunni there is a detailed description of this temple-this temple having more than one thousand years of history, there are three Brahmin families, kizhupuram,Karunad and kaimukku,asits traditional care takers. From among these illams a respectful Brahmin from the kizhupurathillam disappointed by not getting a male child, took up a journey to Ganges to take holy bath. On the way reaching mookambika he stayed there for a few days praying to the deity there. One day the devi appeared before him and advised him to go back to his native place. She told him that a nampoothiri lady of Karunattillam is now pregnant and that she will deliver two children. One of the children be adopted by him as his own and bring him up. As directed by the devi the next day the devotee took bath, worshipped the devi and returned to his house. In his palm leaf umbrella there was Devi’s blessing and power. When he reached Panachikad,the palm umbrella become stiff without any movement. then holy Godman appeared before him and pronounced that there is devi’s power and blessings in the umbrella. He advised the Brahmin to do poojas and the power of saraswathy be installed in a temple at Panachikadu. An idol which was lying deserted there was seen. The Brahmin was told to incarnate the power of the devi in this old idol which was worshipped by Godman with supernatural power long time ago. Since such Godmen with supernatural powers are not available now an alternate idol was installed in Panachikad.
Even today in the temple of the care takers traditional rituals and poojas are performed as of then. The order in which Pooja performed to Mahavishnu, sarawathy, 

Ganapathy, Siva, Sastha,Yakshii, and Nagaraja. Like the Ganges which touches the feet of Vishnu it is form the feet of Vishnu that the holy water flows to the shrine of Saraswathi.

From various parts of India devotees come here for ‘Darshan’ Irrespective of religions people come here for ‘Vidyarambham’ (the ceremony of beginning education). Except on the days of ‘Durgashtami’ and ‘Mahanavami’ all other days ‘Vidyarambham’ is performed here. The ghee enriched with; Saraswatha Manthram’ is distributed to devotees from here.The intake of this ghee enriches the intelligence of children for intelligence and education this is considered very good. For saraswathy and Vishnu, yakshi, Rakshas , 




2. Sreepuram Saraswathi Temple - Parippu, Kottayam 
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Sree puram Saraswathi, temple is situated at 9 Kilometers away from Kottayam Town,near the bank of beautiful Meenachil River.Temple is now governed by Travancore Devaswam Board.
There is two Bhava’s at the temple Shrine. One is Godess Madhurai Meenakshi and the other is Vidyadevatha Sri.Saraswathi. During Karkidakam (July Auguest months) Bhagavathi Seva is performing every day. Special pooja’s are conducting during the Mandalamasam (Vrischigam to Makaram)There is a Nagaraja Prathishta also near this temple.

When the Navarathry season comes,The Kuriyannoor and Chenappady family members jointly doing special poojas throughout the day in 9 days with the help of Khsetra Upadesaka samathy and all the people around Parippu.and Kottayam.Durgashtami,Manavami and Vijayadashami are most important and on these days Music concerts are also performed.On Vijayadashami day many young kids are coming to start” Harishri” from this Saraswathi temple.

If any body like to visit or doing any special prayers at this temple,please contact at the below said address.


K.Ananda Ram,Geethanjali,Parippu.P.O,Kottayam-14
Mob.9447660792, Ph.0481-2516486
anandangeethanjali@gmail.com or anandangeethanjali@yahoo.in

3. cheruvalli Uma Saraswathi temple


Eranakulam:

1.Dakshina Mookambika Temple, north Paravoor
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The Sub-group Officer,

Dakshina Mookambika Temple

N. Paravur, Ernakulam Dist. ,

Kerala - 683513

     E-mail: dhakshinamookambika@hotmail.com 
             dhakshinamookambika@yahoo.com 

The Dakshina Mookambika Temple is a famous Saraswati temple in the town of North Paravur in the Ernakulam district of Kerala. The presiding deity in this temple is Saraswati and sub-deities are Ganapathy, Subrahmanyan, Mahavishnu, Yakshi, Hanuman and Veerabhadran. A shrine devoted to Yakshi is at the southwest corner. The sanctum sanctorum is in the midst of a lotus pool.

According to legends, Thampuran (ruler) of Paravur was a great devotee of Goddess Mookambika. He used to visit the Kollur temple in Mangalore every year to pay homage to the goddess. When he became old, his health worsened and he could no longer undertake the long journey to Kollur. The goddess appeared to the sad devotee in a dream and ordered him to build her idol near his palace so that he can have daily darshan of her. Thampuran followed her instructions, built a temple at Paravur and installed the Goddess.
The famous Navratri festival is celebrated here with great fervor. Thousands of people participate in the Navaratri music festival. On Durgashtami, books are arranged before the image of Goddess Saraswathy and on Vijayadashami morning, Ezhuthinirithu or Vidyarambham ceremony takes place at a special mandapam which goes from 4 am to 11 am. Thousands of little children are initiated into the world of letters by making them write the word harisree on rice, their tongues or sand with a golden ring.

Apart from the Navratri festival, the "ten-day annual festival" is celebrated in the month of Makaram (January–February). The music festival and Vidyarambham ceremony are the main features of this festival.

The presiding deity in the sanctum sanctorum of Dakshina Mookambika temple at N.Paravur is Bala Parameswari, the daughter of Lalitha Parameswari.    she showed her bravery in the battle with Bhandasura who was born out of the ashes of Kamadeva. Lalitha Parameswari who is the mother of Bala Parameswari emerged from the fire (Chidagnikunda), When the Devas headed by Indra worshiped the goddess for getting protection from Bhandasura. Lalitha Parameswari in her Chariot, Sree Chakra moved for the battle and she was assisted by Mathangi (Manthrini) and Varahi (Dandanatha). Mahaganapathi was also born when the vighnayanthra stopped the movement of the soldiers and he threw the Yenthra so as to proceed in the battle (Kameswari- Lalitha came face to face with Kameswara-Siva; this union gave birth to Mahaganapathi).

Bala Parameswari is the basic upasana devatha in order to have access to Lalitha parameswari having shodasa kalas of a full moon. The initiation to the Bala Manthra is quite essential to fulfill the Sree Vidya Sadhana and to enjoy the ecstasy that enthrals us in the spiritual acme. Such a powerful Devatha is installed here at Dakshina Mookambika Temple. The Japamala (rosary), the veda and abhayavarada are signs of wisdom and knowledge that lead to fearlessness. The Kashaya Nivedyam during the Atthazha Pooja (at 7.30 pm) daily is a precious medicine that cures all the problems physical, phychological and intellectual. The three syllable manthra  when chanted, we become enchanted to the realm of supreme spiritual attainment. But the people are quite ignorant of all these valuable secrets now. The temple and the approach to it are occult in its nature since there is thanthra in the installation process.

The very sanctum sanctorum erected in the centre of a tank where the lotus blooms, is the abode of Bala Parameswari. The lotus is symbolic and its sanctity is precious; when the sun begins to shine the petals are opened indicating the sahasrarapadma, the very brain that should bloom like the lotus in the presence of spiritual light.

The parivara devathas that are installed include mainly Ganapathi inside, Ganapathi outside, Muruga- the jnana devatha, Vishnu the preserver of the universe. Among the parivaras Hanuman the powerful deity both Saiva and Vaishnava, Veerabhadra Lord Siva himself are also there to bless us.


2. Avanamcode Saraswathi Temple
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chowara p o, Avanamkodu Edanad Road, Nedumbassery, Kerala 683571
Phone: 0484 260 0705

Avanamcode Saraswathi Temple is situated at Avanamcode near Aluva (3Km from Aluva) in Ernakulam district. Avanamcode Temple is one among the 108 Durgalayas but now it 

is famous as Saraswathi Temple. Navarathry is the main festival.


3. Chottanikkara Bhagavathy temple, Nedumkandam, Ernakulam
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Chottanikkara Devi is worshipped at the temple, in three different forms: as Saraswati in the morning, draped in white; as Lakshmi at noon, draped in crimson; and as Durga in the evening, decked in blue. 

legend:

Here is one legend associated with the great Shankaracharya(Adi Shankara). During the time where he lived, Adi Shankara realised that there wasn't a single temple in Kerala that signified the worship of goddess Saraswati. As a result, he himself went to the Chamundi hills in Karnataka and meditated for many days for the goddess to appear before him. His meditation bore fruit and before him stood the stunningly beautiful goddess, clad in white. On enquiry, he said that he would like to bring the goddess to Kerala and establish a temple dedicated to her worship. This way the people from Kerala would not have to go such far off distances to worship her, as in the case for those who were old and aged. After a lot of persuasion, the goddess agreed; she would follow him by foot wherever he went, but only on one condition. If he trusts her, then he was not allowed to look back to see if she followed him or not. If he did, then wouldn't go any further. He agrees and they proceed walking. They were walking down the Kodachadri hills, with Shankara leading the way and goddess' anklets tinkling and letting him know that she was with him. After walking some distance, the tinkling stopped all of a sudden. Shankara waited a few moments and stole a quick look backwards to find the goddess still with him, watching him with reproach. In keeping with the condition, the goddess stopped right there. Shankara, however, was not one to give up. He apologized profusely for breaking the condition and repeatedly begged and pleaded with the goddess to go with him to Kerala. After many pleas, the goddess agrees to a compromise. From early hours of morning, she would come and appear before the devotees at the Chottanikkara temple. Then in the afternoon, she would return to the spot where she stopped. This is the spot which would turn out to be the Mookambika temple. Since then, before the doors of the main sanctum in Mookambika temple were opened, the sanctum doors of the Chottanikkara temple were opened during early morning hours in honour of worshipping goddess Saraswati, where the idol is clad in white garments.

Here Navarathri aghosham is a famous festival, which attracts large number of devotees. On Vijayadasami day of the Navarathri utsavam, Vidyarambham is conducted.


Palakkad:

1.Manniyampathooor Saraswathy Temple

he temple is located one kilometer north to Karuvanpady bus stop in Pattambi-Pallippuram Road, Palakkad District

Contact

Manniyampathooor Saraswathy Temple
Urulanpady
Kodumunda P. O
Pallippuram, Pattambi
Palakkad District, Kerala

Phone: 0466 2239212(Office)
0466 2239599(President - P. Sethumadhavan Nair)
09846826062(Secretery - P. Govindankutty)
09946624895(Melsanthi)
Email: Achuthanandan P T, achupoduvattil@gmail.com 


Malappuram